Behind the Scenes…

Here’s a little glimpse into my process for the Chicken Licken Illustration featured in the last post. After I read the story (or excerpt in this case) many times, I get a sense of where I want to go, visually, the feeling of the characters and their personalities and unique emotions that carry the overarching concept behind the words. I knew I had to create chickens, a goose, duck, and a turkey so I do lots of sketches of those animals from reference photos.

Reference sketches by Tami Traylor

Then I move on to thumbnails…they are VERY rough but they help me determine the composition and flow of a drawing

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Then, once that’s nailed down, it’s on to the rough draft. You can see how things are coming together. This is where most of the issues of positive negative space, composition, and all the other big stuff gets ironed out. Then I move on to the final drawing where I work out all the bits and details that become my working drawing.

And here’s the final draft ready to be scanned and finished digitally.

Chicken Licken?

A tale of mass hysteria — perfect for our times, I suppose. It is also the theme for this years SCBWI Tomie dePaola Children’s Illustration Challenge whereby the entrants, including your’s truly, were to illustrate the following excerpt from the tale:

So they went along and went along until they met Turkey Lurkey
“Good morning, Goosey Loosey, Ducky Daddles, Cocky Locky, Henny Penny,
and Chicken Licken,” said Turkey Lurkey, “where are you going?”
“Oh, Turkey Lurkey, the sky is falling and we are going to tell the King!”
“How do you know the sky is falling?” asked Turkey Lurkey.
“Ducky Daddles told me,” said Goosey Loosey.
“Cocky Locky told me,” said Ducky Daddles.
“Henny Penny told me,” said Cocky Locky.
“Chicken Licken told me,” said Henny Penny
“I saw it with my own eyes, I heard it with my own ears,
and a piece of it fell on my tail!” said Chicken Licken.
“Then I will go with you,” said Turkey Lurkey, “and we will tell the King!”

I saw the scene played out in a lot of ways, but the mass hysteria the old tale conjures up just wouldn’t leave my mind. My imagination kept wandering down the streets of Mayberry and other small towns in the American south, where news travels fast and gossip, even faster. The use of barn fowl made it even more appropriate, since turkeys, geese, ducks and chickens are common in these places.

I began to see Chicken Licken as the town gossip, who, in this escalating story, has managed to convince Henny Penny (my homage to Minnie Pearl…see the price tag on her very fancy hat?) the sky is falling. Henny then tells her farmer husband, Cocky Locky, who manages to fully convince his young farmhand, Ducky Daddles, who tells the somewhat skeptical neighbor, Goosey Loosey and they all end up at the feet of a respected town elder, Turkey Lurkey. He’s not quite convinced of all this, but his sense of duty propels him to act on behalf of his fellow citizens.

This hayseed hysteria concept seemed quite natural to a kid raised in the south, who grew up listening to the likes of Jerry Clower and watching reruns of Andy Griffith and Green Acres.
I’ll post my sketches from this soon.

Stay hungry…stay foolish

A lot has been written today about the passing of Steve Jobs and rightly so. He was a visionary, who exercised a lasting influence on modern culture, worldwide. Jobs inspired his engineers and designers to create with great thought to human interface, ultimately touching every segment of the population, from pre-schoolers to the President. It is no understatement to say that Steve Jobs irrevocably changed the face of communication as we know it.

I recall my first experience with Apple, it was my junior year of high school and I took a serendipitous class called Computer Math. Being more of an art person, I hated math – really loathed it – so the concept of whiling away my year in a pseudo-math oriented class where I could fool with computers and cover that last dreaded math credit for my diploma seemed perfect to me. It also didn’t hurt that my boyfriend (who is now my husband) was in the class. And I spent two glorious semesters writing Apple Basic code to create interesting pictures on those beige machines with the funny, rainbow-colored logo.

I still have no idea how that qualified as a math credit — but who am I to question the choices of the Chesterfield County School Board. Whoever is responsible for making that class a reality, I sincerely thank you. It began a life-long love affair for me with Apple Computers.

I went on to study Communication Arts and Design at Virginia Commonwealth University. My graduating class was one of the first to merge computers in art and design. We built the first Mac lab at VCU, filled it with SEs then updated it with Quadras. I spent many long hours in that lab, late into the night, face lit by the cold blue light of CRT monitors. The hours seemed to fly by in the Mac lab.

I bought my first mac after school with the meager salary from my first job. It was better than my first car.

I have made my living on Macs, first doing graphic design and now creating illustration. I’m even writing this post on my iPad. I’ve recently been experimenting with sketches and color illustrations on this elegant sliver of electronic innovation. Even my daughter, an aspiring artist, herself, creates on a Mac. Our whole family are Apple users.

It’s a unique fraternity, the cult of Apple — that sense of solidarity when you spot that ubiquitous logo on someone’s car window, or the unmistakable silhouette of an iMac on the big screen. The world has come a long way from my days of Apple Basic in Computer Math.

So thank you, Steve, for being an innovator, for having the courage to “think different”, for quietly turning the world on its ear and championing creativity and beautiful, thoughtful design (so well executed that we take it for granted).You may be gone, but your legacy will live on.

Painting on the iPad

Selene

This is my first attempt at painting on the iPad2. I wasn’t sure what to expect when I dove into making art on the iPad. I’m no stranger to digital painting but I am more familiar with Photoshop and my trusty Wacom.

For this little spot, I used a drawing out of my sketchbook. I got the Sketchbook Pro app and an Acase stylus. I also own a PenGo stylus but honestly, they are identical save the nib on the PenGo is a bit longer and, therefore, a bit softer. I haven’t coughed up the coin for a Wacom stylus, yet. I just can’t validate the price. When they get one that is tiny, like the nib on their tablet stylus, then we shall see.

I there is a learning curve; adjusting to the subtle nuances of the apps and drawing without the luxury of a pressure sensitive surface. I found, when you are in drawing mode, if your hand even gently brushes the screen, it makes a mark. So you really have to watch your hand position and take care not to touch the screen beyond your stylus. You can also get around the pressure sensitivity issue by using around a .02 transparency setting on your paint and slowly build up.

On the whole, I really enjoyed the experience. Do you paint with an iPad? Comment and let me know what you are using, what you like or don’t like. I would love to know.

Winter Highlighter put to bed…

I love the feeling of getting another issue of the Mid-Atlantic SCBWI out on time. It’s a team effort and I want to thank all the authors, illustrators, my beautiful and charismatic editor, Moira, and our hard-working RA, Ellen, for putting another one to bed. I’m never disappointed by the end result. Many talented hands can make a great newsletter. Cheers to all my SCBWI folk.