Creativity does not happen in a vaccuum…

This is a reprint, with permission, of my article from the Spring Issue of THE HIGHLIGHTER, SCBWI Mid-Atlantic’s quarterly newsletter. It was written for an audience of children’s book authors and illustrators in the VA/DC area, but you can really apply the concepts here to any creative practice. Who doesn’t need to stimulate their creative mind from time to time?

sketching in a museum

On the Hunt for Inspiration: Real-time Adventures to Foster Creativity

Whether you are an illustrator or a writer, there are golden days when ideas flow like water. But, at any point, the water can dry up, leaving you flopping around like a fish on the bottom of a dry lake.  So, how do you tap the springs of creativity when it appears that your well has run dry? Below you’ll find a few favorite ways to recharge my own creative batteries. Hopefully, they will give you the shot in the proverbial arm you are looking for.

Go On Your Own Photo Shoot:
Digital cameras are an easy and inexpensive way to capture inspiration. I try to carry my own little quick-shot Fuji with me when am out and about, although most cell phones have a 2-megapixel camera built in.  So head out into your neighborhood or favorite park and shoot some photos, upload and print t hem out using your favorite application or online photo site. Then create a compelling collage of your favorites and hang them up in your studio as a visual reference.

Look at Art:
Not your neighbor, Art (he might not appreciate you staring); we’re talking “fine art.” Whether you visit your local art gallery or a museum, looking at artwork can give you a creative boost. Artwork can tell a story or just expose you to amazing colors and textures. You may even get a unique perspective on a commonplace subject you never thought of before.  In most areas, local galleries will join forces for a monthly Gallery Walk to encourage interest in the arts.  It’s a great excuse for a date night and don’t forget there’s usually free wine and cheese at the openings (no one can be inspired on an empty stomach).

Feed Your Creativity:
Like I said, you can’t be creative on an empty stomach, so go eat. Try out at that little bohemian bistro you’ve always wondered about, but never ventured into. Try a new dish you’ve never had. Shop at an ethnic food store. Sometimes the label on a foreign food package is enough to provide inspiration without even eating the item it contains. I could spend hours looking at packaging in the shops in Chinatown—nummy!

Head Downtown:
Speaking of Chinatown, cities are rich with the texture and layers of decades of human habitation—ideal fodder for artists and writers. There’s color and life around every corner. Visit a culturally unique area of the city, like Chinatown, or an older downtown that’s experiencing an urban renaissance. Pay attention to the details, the mix of new and old architecture, store signs, graffiti and street art, even people milling around. Think about taking a friend along for a different perspective.  And if you’re not a walker, ride the bus. Load some travel tunes on your iPod, get a window seat and watch the scenery go by. You’ll be amazed at what you see. (Don’t forget that camera.)

Take a trip:
A train trumps a bus, every time. It’s a romantic, slower-paced and nostalgic mode of travel. If you have the time and money, a train ride is a great way to take in new scenery and maybe even log a visit to some museums or historical places in a distant city.  J. K. Rowling first conceived the ubiquitous Harry Potter on a long train ride from Manchester to London. Who’s to say it can’t happen to you?

Carry a Sketchbook/Journal:
The habit of keeping a pocket journal/sketchbook puts you in league with artistic and intellectual greats like Van Gogh, Henri Matisse and Ernest Hemingway. They, and many others of their kind, knew the benefits of having a means to record that brilliant line of prose that pops into your head while sitting in a bustling café. It’s the simple, mundane details of life that make stories and illustrations richer and more believable. Record them for later use.

Go Antiquing:
Antique stores, flea markets and local charity stores are all great places to browse for inspiration. A local antique mall is where I stumbled upon the first of my growing collection of mid-century, illustrated children’s books.  Find a quirky, unusual item that speaks to you; it can be anything from a chipped teacup to an old wooden spool of thread that has great design on the label. If you can, splurge on it, take it home and give it a prominent place in your studio. Like most old things, it probably has many stories to tell, so listen carefully.  Better yet, give yourself an assignment to write about it or do an illustration involving it or a component of its design!

Your Own Collections:
Collecting things seems to be a common human trait. Many are drawn to keep sets of like items. If you fit this description, there is nothing to say you can’t derive more than just satisfaction from your collection of Fiesta Ware, state spoons or tin sand pails from the ’50s.  “Cars have always been a source of design inspiration for me. The cars I collect have a message of timeless beauty.” says fashion designer, Ralph Lauren about his world-class collection of rare and classic motorcars providing him with endless inspiration for his fashions. The stitching on a leather jacket mimics the stitching on the seat of a 1938 Bugati Atlantic Coupe. The lines of a shoe are the same as the rear fender of a Ferrari.  You may not have the financial latitude to own a McLaren F1LM, but your own collections, no matter how humble, can provide you with much in the way of inspiration. Go ahead and give that spoon collection a role in your next YA novel.

Go Online:
I saved this suggestion for last. Even though I’m a level-10 geek girl and fully believe the “interwebs” are one of the greatest resources since the public library, inspiration should first come from the world around us.  But on a sweltering summer day, when the cats are melting on the tile floor like a Salvador Dali painting, there’s nothing wrong with sitting in the air-conditioning and surfing to some favorite inspiration sites.  But that, my pretties, is the subject of a future article about the delightfully diverse and accessible world of internet inspiration.

So, if you are feeling adventurous, head out of doors while the weather permits, with camera or journal in hand. Keep your inspiration antennae up. The dog days of August will soon be upon us and I’ll return to share some fun inspiration websites to perk you up in blissful, climate-controlled comfort.

Until then, happy hunting!

Finished projects and things to come…

Highlighter Spring 2010 Edition

I recently put the Spring Issue of the Mid-Atlantic SCBWI’s Newsletter, THE HIGHLIGHTER, to bed (thanks to the hard work of my co-editor, Moira and Taunya, our webmaster) and wanted to share a screen shot of the cover and a spread. The spot illustration of the bunny may look familiar to you.

The cover illustration for this issue, is by a very talented and sweet illustrator (and a fellow member of the SCBWI), Jennifer Smyth-Church. Even though our issue is labeled “Spring”, our publishing dates fall late in the season, so a summer image works well.

This is the fourth issue since we launched the very successful updated design and electronic delivery format.

The new design included a masthead that features a different illustration each issue, capturing the sense or spirit of the approaching season. Since our audience is comprised of members of the Society of Childrens Book Writers and Illustrators, the illustration falls within the kidlit genre. The article submission and illustration is done by fellow members.

Currently, the newsletter has a readership of over 600.

I happened to write an article for this issue of the newsletter. I’ll be including that in my next post!

Stay tuned…

The Rainbow Connection

rainbow

Two weeks ago, after 13 years of working for the same company (full-time), through three corporate mergers and four major reorganizations, I tendered my resignation. I made an appointment with my boss, walked into his office on a Tuesday afternoon and handed him what might be the easiest letter I’ve ever written.

The letter was easy because the decision was hard. I’ve been thinking about this move for a long time now. My job, although a creative in-house position, just hasn’t been offering me the growth and development I’ve needed. I made the critical mistake of taking a job that offered reasonable pay, the veil of assumed stability, and a benefits package without considering the negative impact of working for an organization, long term, that I really “wasn’t that into”.

I phrase my feelings in the parlance of modern dating because really, your job is a relationship. It’s a relationship you spend a large chunk of your weekly waking hours in. Some of us see our office/cubicle walls far more hour per day than we see our own families.  If you take on a client or a job that you really don’t feel that great about, and stay in that “relationship” despite your negative feelings, you work suffers. Even worse, the negativity bleeds over into your personal life and ultimately makes you a miserable person.

I was that miserable person.

So, what’s my plan? I’m going to freelance full-time for now. I have been doing freelance design and illustration on a part-time basis for more than a decade and I’ve been carefully putting in place the foundation of my business for five years.

I don’t have it all figured out. (Who does?) I’m not going to lie to you. But I have faith that it will all work out.

The day I resigned, an afternoon summer storm blew through while I was driving with my daughter. I was still feeling the surreal sensation of taking the giant leap and submitting my letter to my boss. I was talking on the phone to someone about the unfolding events that led to my choice and how I arrived at it and how I feel about it. The entire time, this storm was raging and I was pushing through slowly in my little silver bug.

When I got to my destination, completed my business there and came out, my daughter turned a corner and exclaimed, “Look Mom, an enormous rainbow!” I turned the corner and beheld the image you see above. I can’t tell you the sense of reassurance it gave me. I knew then, everything I had agonized about, worried, feared and doubted, was going to be alright.

“Someday we’ll find it, the Rainbow Connection, the lovers, the dreamers and me.”
If you grew up in the 70s and 80s, you’ll remember that song, sung by Jim Henson’s unforgettable green frog, Kermit. I never got it…until now. I have seen my rainbow.

Field Trips and Young Artists

sketches from field trip to National Gallery

One of the things I’ve always tried to do throughout both my kids school lives is chaperone on every field trip. That being said, I can relate to the Johnny Cash song, “I’ve Been Everywhere.” Well, not “everywhere” but I have been to crazy places, some weird, some downright awful. I won’t even go into the story about my daughter’s second grade field trip to a local nature reserve where the surly park ranger (who should’ve never been allowed to work with young children) told the children that squirrels ate baby birds and were nothing more than “tree rats”. This may be true, but one just doesn’t unleash that sort of info on wide-eyed, ponytailed little girls. It was devastating.

Now that my daughter is in a special high-school for the arts, the field trips are more up my alley. We recently took the entire school’s visual arts students— seniors to freshman— to D.C. to visit the National Gallery. This is well-charted territory for Katie and me. We’ve gone to the gallery more than a few times and have a tradition of day-trips to the Nation’s Capitol, riding the Metro from Springfield, VA.

This was a fun trip for the simple reason that it was with a group of kids that actually wanted to see the museum and have an interest in art. I had four under my watch, two girls, Katie and “Skittles” (a junior) and two freshie boys, “Lip” (he has two lip rings) and Spencer. We stayed in a sector of the gallery en masse, but the kids were free to wander about that area and view the artwork. As a chaperone, I just had to make sure they were rounded up in the herd when we moved on to the next section. I am proud to report that I didn’t lose anyone. (whew!)

The kids seemed to enjoy the artwork. Many were impressed by an exhibit of German Master Drawings from the Wolfgang Ratjen Collection, 1580–1900. I was humbled by the intricate, delicate renderings and the sketchbooks (OMG — I’m not worthy!).

The collections in the National Gallery are, as one would expect, first class. I am disappointed that it seems to be the least travelled of the museums that grace the perimeter of the National Mall. If you happen to live near or travel to D.C., I highly recommend a visit.

What I don’t recommend is taking a two and a half hour trip (two ways) on a school bus (budget cuts eliminated using a tour bus) when you are over 30. I don’t know if it’s the rough roads up and down I95 (budget cuts – again!) or that the bus was in dire need of shocks, but my backside was so happy to see the end of that trip and my VW’s, ergonomic leather seats!

It wasn’t easy to draw on the bus, but I managed. I’ve posted a spread from my trip, above! Maybe next field trip will be on a tour bus or at least a vehicle with some shock absorption.

Illustration Process: A small spot illustration

I just finished this little spot kidlit illustration so I thought I’d share the process involved in going from sketch to final spot illo.

First Sketch…

Gertie bunny first sketch

I usually work in pencil. Specifically, cheap mechanical pencils that come in a giant pack…like these. I like having a sharp point all the time and it’s no big deal when I lose one (which I do pretty often). I draw on several types of paper, this drawing happens to be on a 100% hemp paper that has a lot of tooth and a unique texture. Once I finish the sketch, I tighten things up on vellum paper with pen and ink. I then scan in at hi res.

Gertie bunny (second scan)

Once I have the image in Photoshop, I create a series of masks for unique sections of the image like skin, hair, dress, apron using Paths.

paths menu from photoshop

Depending on the image and how the drawing is composed, I usually select large areas with the magic wand tool and clean up my masks with the quick mask tool.

layers menu from PS

Working in layers, importing a combination of photographic textures and patterns that suit the image I’m working with, I create the final image.

Gertie bunny (spot illustration)

My digital painting style is a cross between collage and painting. I use bits of photographic imagery that have the texture and color necessary to convey the look and feel of the elements of the image in the same way a quilter uses well chosen pieces of fabric to piece together her quilt.

So that’s a bit about my digital painting style. More soon…stay tuned. Cheers!

Sketchy…

Skating Dreams (original sketch)

I thought I would share the initial sketch that sparked the notion of the winter illustration. It lay dormant in my sketchbook for a long time but I was able to use it for something bigger. Draw something every day, kiddies, you never know when you’ll use it.

New Illustration (sketch to final)

I recently completed another cover for the SCBWI Mid-Atlantic Newsletter. This is for the Winter issue (even though we’re cruising into Spring at breakneck speed). I have a relative carte blanche for these covers, but I try to fit the zeitgeist of the season in a children’s illustration style theme. This winter, we’ve been watching the 2010 Winter Olympics play out in Canada with it’s inspiring stories and feats of athletic strength and grace. The figure skating has always been at the top of my list of must-watch Olympic features. I am amazed by the sprezzatura of the skaters, who practice their craft part art, part sport – from the time they begin to walk. The sheer joy they show on the ice is inspiring. In light of that, my illustration is a young skater, practicing on an icy pond, with flourish and finesse. I thought it would be fitting to herald the new issue as well as the finish of a great Winter Olympics.

Here’s the final sketch:

skating-dreams-sketch

and here’s the final piece:

Skating Dreams

In it’s place on the cover of the Highlighter:

SCBWI Hilighter Winter 2010

Holga Me! (Adventures in Lomography Part 1)

Blame it on a wave of nostalgia or a compelling collection of photography I saw on Flickr but I’ve been bitten by the Holga bug. I purchased my own little plastic camera about 8 months ago and have been smitten with it’s unpredictable yet appealing images ever since.

For those of you who don’t know what on Earth I’m talking about, Holga is an inexpensive, medium format (120mm) toy camera. It’s widely known for it’s lo-fi, unpredictable outcome. It’s delightfully analog in a digital world.

black beetle backside

The Holga isn’t my first foray into the world of medium format, analog cameras. I purchased a LOMO Lubitel 166 Twin Lens Reflex Medium format camera back in college, from a Russian friend (NIB for $40! What a steal! I’ve seen them running upwards around $350 online). I had never seen such a complicated camera or done any film work other than 35mm. I was more familiar with my trusty Pentax K1000. A more analog camera, you’ll be hard pressed to find (outside of a pinhole camera). I had played with the LOMO for a few years then put it away on a shelf to sit out the next decade with a Minolta16 mini from the 60s.

Standard-James

So I decided to venture back into the world of analog photography. It’s very satisfying when you get back your negatives (mine happen to be hi-res scans on a CD from this great processor in KS ) and see the outcome of your random snapping.

Holgas are notoriously loaded with light leaks, a photo killing factor in most cases. Ironically, though, the light leaks inherent in the Holgas add a certain dreamy look to the photos, making the flawed and imperfect suddenly appealing and beautiful. Perhaps that is what draws me to them more than anything.

In a world of digital perfection, where cameras have the resolution to capture detail down to your pores, all with the instant gratification of seeing what you shoot on a brilliant 3in LCD right there in your hands, it’s nice to enjoy the mystery of not knowing how the image will come out. The joy of surprise and the satisfaction of that shot that goes beyond capturing a split second in time and embodies emotion and a sense of place and time. To me, that’s what photography is all about and that’s precisely why I’m in love with my little plastic lens camera.

Illustration Process (pt 2)

By the Fire (final)

As you might remember, I promised you a peek at the final illustration I was working on for the SCBWI. Well, here it is.
If it weren’t well past my bedtime, I might be compelled to write some more about it. That will have to wait until later.

Highlighter Fall 09 Cover

This is what the artwork looks in the actual newsletter.

Cheers!
Tami

Illustration Process

I wanted to share a bit of an inside peek at my illustration process for a recent piece I did for the SCBWI Mid-Atlantic Newsletter Cover. The image is a fall theme. I chose this vignette of a little mouse couple relaxing on a cold autumn afternoon by their fireplace.

This is the very first phase, the thumbnail concept that eventually leads to a more developed idea in the rough.

Fall Fireside Thumbnail

This is the first draft of the rough sketch, my little mouse fellow has a lady to keep him company. The “camera” has pulled back a bit to give you a glimpse of the mouses’ home but it still has some ways to go.

Fall Fireside First Rough

This is the final drawing of the mouse couple based on the rough sketch. The detail is now where it needs to be. The fireplace now supports the cozy, somewhat rustic scene. I wanted it to be believable that perhaps Mr. Mouse might have built it himself from stones from the field.

Fall Fireside Final Drawing

That’s all for now but I’ll be posting the final color version soon! At that time, I’ll talk about my digital technique.

Illustration Friday: Modify

Hey, IF folks! It’s been a long, long time since I posted an entry for Illustration Friday. It’s a bit of a stretch, but hey, that’s creativity.

“Kelly knew she had to modify her jumps to get max air in her cheer routine.”

This piece is digitally colored. Yay!